I AM NOT A GODDESS... UNLESS I SAY I AM

ONLINE EXHIBITION

SABO Art and Amar Gallery are pleased to present ‘I Am Not A Goddess...Unless I Say I Am’, a group exhibition featuring
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This exhibition explores a range of female identity and challenges the romanticisation of women using the ‘goddess trope’. The narrative of women being ‘goddesses’ or ‘Mother Earth’ was first created in an attempt to influence society to view our intrinsic value as “more than”. 
ANNE ADAMS
While well-intentioned and oftentimes empowering, this deification of women extracts us from the context of reality, thus robbing us of the autonomy needed to truly explore the spectrum of our identities. Women have flaws and are real people who should be valued for their individual identities and their self-proclaimed narratives. It is up to society to listen to women, appreciate us for who we are and not project idealised versions of womanhood unto us. 
ANNE ADAMS
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MANYAKU MASHILO
Manyaku Mashilo My Sun Toro 2020 Charcoal ink acrylic ink and paint on paper 100 x 70 cm.j
Manyaku Mashilo Black Unicorn 2020 Charcoal ink acrylic ink and paint on paper 100 x 70 cm
The 11 artists in this exhibition celebrate the identities across the spectrum of womanhood - women through the eyes of women. The figures highlighted in the exhibition are diverse, with varied social identities - age, race, ethnicity, sexual orientation, social class, religion, physical appearance, style.
PEJU ALATISE
OSARU OBASEKI
As you walk through this exhibition, you will see many women. Note the nuance and multidimensionality of their existence. You will see a  faceless figure gives the audience time for reflection and incentive to question prefabricated beliefs; re-imaginations of historic bronze sculptures from the Benin Kingdom, which were predominantly of male figures; emotional paintings inspired by feelings in which the frames are integrated and become part of the artwork; an artist's impression of iconic family photographs which tell stories of heritage and transnationality; new concepts of Christian iconography combined with renaissance art and African design; sculpture that explores themes of migration culture and gender; glimpses of female figures in fictional narratives with Nigerian cultural consciousnesses; photography that provokes self-awareness and explores mental health; portraiture to archive lineage, time, space, and spirit i.e. the cartography of a people; figures created that pay tribute to African art and design processes; and clay sculptures that use symmetry and geometric patterns to reflect transformation.
SHANNON BONO
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LAYO BRIGHT
FADEKEMI OGUNSANYA
The Potential of Sitllness 2021 Watercolour on paper 48.5 x 60 cm (1) (1) (1).png
YAGAZIE EMEZI
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TOBI ALEXANDRA FALADE
Untitled 2020 Oil Paint on Canvas  150 x 100 x 2 cm.jpg
NOLA AYOOLA
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